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Its Happening Again Instrumental Agnes Obel Episode

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Danish singer, composer, and pianist

Agnes Obel
Agnes Obel2 Sentrum Scene 20205 (cropped).jpg

Obel performing at Sentrum Scene in Oslo (2020)
Born (1980-10-28) 28 October 1980 (historic period 41)

Copenhagen, Denmark
Occupation
  • Vocalizer
  • songwriter
  • musician
Musical career
Origin Berlin, Germany
Genres
  • Chamber popular
  • neo-classical
  • jazz
Instruments
  • Vocals
  • piano
Years agile 2008–nowadays
Labels
  • PIAS Recordings
  • Deutsche Grammophon
  • Universal Classics
Associated acts
  • Tom Smith
  • Andy Burrows

Musical artist
Website www.agnesobel.com

Agnes Caroline Thaarup Obel (born 28 Oct 1980)[1] is a Danish singer, songwriter, and musician based in Berlin. Her debut anthology, Philharmonics (2010), was released by PIAS Recordings, and was certified gold in June 2011 by the Belgian Amusement Association (BEA) after selling 10,000 units.[2] At the Danish Music Awards in November 2011, Obel won v prizes, including Best Album and All-time Debut Artist.[three] Her second album Aventine (2013) received positive reviews and charted inside the top 40 of the charts in nine countries.

Obel's third anthology Citizen of Drinking glass (2016) received acclaim from music critics and the IMPALA Album of the Year Award 2016.[4] In 2018, she curated and performed a compilation album for Late Night Tales series titled Late Dark Tales: Agnes Obel. Information technology features artists such as Nina Simone, Henry Mancini, Ray Davies, Michelle Gurevich, Can, and Yello. Her fourth album, Myopia was released in February 2020.

Early on life [edit]

Agnes Caroline Thaarup Obel was born in Gentofte, Copenhagen on 28 October 1980, the elder of two siblings. She and her younger brother, Holger, grew up in an unconventional surroundings, with a father who had 3 children from another marriage. He loved to collect strange objects and instruments. Her mother, Katja Obel, was a jurist and musician and she used to play Bartók and Chopin on the piano at home.[5] Obel learned to play the piano at a very young historic period. About her learning, she said: "I had a classical piano teacher who told me that I shouldn't play what I didn't like. So I just played what I liked. I was never forced to play anything else."[half dozen] During her childhood, she plant inspiration in Jan Johansson's piece of work. Johansson's songs, European folk tunes done in a jazzy style, have been a potent influence on her musically.[7]

In 1990, she joined a small band as a singer and bass guitar thespian. The grouping appeared at a festival and recorded some tunes.[8] In 1994, she had a small part in the short pic The Boy Who Walked Backwards / Drengen der gik baglæns by Thomas Vinterberg. Her blood brother, Holger Thaarup, played the main character in the movie. Credited as Agnes Obel, she appears in ii scenes. She plays a pupil who shares her table with the new student Andreas (Holger Thaarup).[ix]

She attended high school at Det frie Gymnasium, a gratis school where she was able to play a practiced deal of music. However, she quickly dropped out of school.[10] "At seventeen,(...) I met a man who was running a studio. I gave up chop-chop my musical studies to learn sound techniques."

Career [edit]

2008–2010: Philharmonics [edit]

Obel debuted as a solo singer with her first album Philharmonics (2010). She wrote, played, sang, recorded, and produced all the cloth herself. "The orchestral or symphonic music never interested me. I always was attracted past uncomplicated melodies, almost childish.(…) I put a long time before writing texts considering the music seems to tell already a story, to project images."[5] According to Obel, her piano is much more than an instrument: "The pianoforte and the singing are two equal things to me – maybe non inseparable but very connected. You tin can say they are like ii equal voices."[11] She has said that, "The music is the well-nigh obvious ways to limited what I am, where I am."[12]

All of the songs on Philharmonics are original work except "Close Spotter" ("I Keep A Close Sentry" by John Cale) & "Katie Brutal" (a folk traditional; every bit the iTunes bonus rail of the album). In Live à Paris, released on 11 Apr 2011 on iTunes, she sings a cover of Elliott Smith's "Between The Bars". Furthermore, Obel did a duet with Editors vocaliser Tom Smith, performing "The Christmas Song" by Mel Tormé – to be found on the Smith & Burrows album Funny Looking Angels (released in Nov 2011).

Obel at the Cirque Regal, Brussels (2011)

Philharmonics has garnered generally positive reviews with, for example, James Skinner from the BBC saying that "the compositions... are deadening, sombre, sepulchral even, but not without a sense of occasionally atypical dazzler".[13] In the French cultural magazine Les Inrockuptibles, Johanna Seban spoke about a "disarming purity" and stated, "There is, in these deeply melancholic ballads, the clearness and reassuring nobility of bedside discs."[14] In Musicomh, Ben Edgell wrote that Obel "sings with a hushed and tender grace that waxes wistful and serene over yearning cello, harp, and pianoforte vignettes. She's a fey siren, with a dusky, near-whispered vocal that speaks to Ane Brun or Eva Cassidy."[xv] French journalists accept called her "A revelation to follow".[sixteen]

Obel's commencement anthology was also a commercial success. In March 2011, she appeared for the offset time in the United States. At the Southward past Southwest (SXSW) music festival in Austin, she performed all the songs on the album.[17]

3 songs from the album were on the soundtrack of the 2009 film Submarino (Riverside, Brother Sparrow, and Philharmonics).[xviii] "Riverside" was featured in the episode "Non Responsible" of Grey'south Anatomy, in Episode 12 of the second flavour of Offspring, in the episode "Duplicity" from Revenge, and in the episode "What Are You Doing Here, Ho-Bag?" from The CW's Ringer.[19] "Artery" was played in the episode "Trust" from Revenge.[20] "Fuel to Fire" was used in the episode "The Big Uneasy" of The Originals. In April 2011, the Danish grouping Lulu Rouge released a remixed version of "Riverside". Keeping the runway's original dazzler, Lulu Rouge added their special electronic tempo.[21] Prior to the release of "Philharmonics", the soft, soothing tunes of "But So" were used as the soundtrack of a commercial for Deutsche Telekom on High german TV in 2008.

PIAS Recordings released a Palatial Version of Philharmonics on 7 February 2011. The Deluxe Version contains v more than tracks. Two instrumentals ("Riverside" and "Just So") and 3 live songs: "Over the Hill", "Just And so", and the new track "Smoke & Mirrors". On the Riverside EP, Obel sings "Sons & Daughters". This runway is but bachelor on the EP.

In June 2011, Philharmonics was certified gold by the Belgian Amusement Clan (BEA) after selling 10,000 units.[2] In Feb 2011, her beginning album was nominated for the 'Impala European Independent Album of the Year'[22] and the vocal Riverside (from the Submarino'south soundtrack) won the Robert Award for the Best Song of the year 2011.[23]

In October 2011, Obel won 2012 European Edge Breakers Honour. The prize celebrates the top new talents in European popular music who "have all succeeded in reaching out to audiences beyond their home country through their talent and energy."[24]

In November 2011, she won 5 prizes at the Danish Music Awards for her first album Philharmonics. She won Best Album of the Year, Best Pop Release of the Twelvemonth, Best Debut Artist of the Year, Best Female Artist of the Yr, and Best Songwriter of the Yr.[3]

In January 2020, DJ APREL released a dubstep remix of the famous vocal "Riverside" with Agnes Obel.

2011–2014: Aventine [edit]

Obel began working on her second album in 2011. Virtually her new album, she said, "I started to write new pieces, but all were instrumental ones, with the piano lone… In this moment, I experience more inclined to compose instrumental pieces. I already started to write some texts, simply for me, it's more difficult to etch melodies."[12]

In January 2013, Obel started mixing her new anthology.[25] On 20 June 2013, she revealed that the new album, Aventine, would be released on thirty September 2013.[26]

"On the concluding album, I didn't desire to disturb the tune with too many stories. This fourth dimension, I wanted to know if I was able to create images with words, with the audio of words.(...) I think that'south a good thing when the 1 who is listening, is feeling it in a dissimilar way that the 1 who creates. We are all listening with different perspectives.(...) I don't desire to impose my subjectivity to the listener."

Obel on Aventine [27]

On Aventine, Obel commented: "I recorded everything quite closely, miking everything closely in a small room, with voices here, the pianoforte hither – everything is shut to you. So it's sparse, just by varying the dynamic range of the songs I could create almost soundscapes. I was able to make something feel big with just these few instruments."[28]

She played at the iTunes UK Festival at the Roundhouse in London on 17 September 2013.[29]

Frank Eidel from quebecspot.com, commented: "It's a fascinating collection of remarkable pieces, with rich and intense arrangements supported by Obel's dazzling voice."[30]

On 24 September 2014, Aventine became available on iTunes. Tom Burgel wrote: "The few reactions collected have been very positive and, already, full with beloved: The elegance of Agnes and the rare grace of her writings volition crusade, without whatever doubts, some strong palpitations in the hearts of the amateurs."[31]

The web site Mushroompromotions said: "'Aventine' is a beautiful record, intriguingly unhurried. If the get-go record was a wander through the forest, this 1 takes the fourth dimension to meet the beauty and feel the texture in a single leaf. It is at once microcosmic and universal. (...) Agnes creates her ain world, or as she calls it, a chimera or bell jar, to make her music. One time within (or should that be outside?), she'southward no longer conscious of what's going on. This is the mystery of her modus operandi, something she cannot explain. Which simply adds to the ethereal quality of her music."[32]

In October 2022 a palatial edition of Aventine was released. This album featured 3 new songs. The deluxe edition also contains a remix of 'Fuel to Fire' past David Lynch, who commented: "I loved doing this remix. I was turned onto Agnes' music through my record characterization... I think she has a most beautiful voice and can do things with her voice that are unique and extraordinary."[33]

In October 2014, Obel played for the kickoff time in L'Olympia in Paris.[34]

2015–2017: Citizen of Glass [edit]

During her 2022 bout, Obel began work on her tertiary album: "I'k planning to piece of work less with piano, and more than with other kinds of old keyboards (...) I'm trying to observe new instruments to work with, so it's sort of on the research phase and starting to write things."[35] She as well said: "I have some clear ideas but I'm not sure it is a good idea to get into specifics on such an early stage. I mainly plan to work with onetime keyboards like spinet and harpsichord and so see where they take me."[36]

In June 2015, Obel began recording the new album. She recorded strings with new musicians Frédérique Labbow, Kristina Koropecki, and John Corban.[37]

Obel (piano), Charlotte Danhier (cello), Sophie Bayet (violin) at Würzburg, Frg (2014)

In June 2016, she released the single 'Familiar', from the upcoming album. The song was recorded, produced, and mixed by Obel and features the violin by John Corban also as cellos by Kristina Koropecki and Charlotte Danhier. The music video was directed by Obel's husband Alex Brüel Flagstad.[38] Hugo Cassavetti from Telerama, wrote: "Agnes Obel, while remaining true to her fine style, expands her new musical fields. Percussions with a loud power rhythm a delicately acrobatic melody that the vocalist performs with a voice that was strangely moved. Yes, Obel, as split past engineering science, duets with her disturbing echoes with a male person stamp."[39]

In July 2016, Obel announced her third studio album, Citizen of Drinking glass, to be released on 21 Oct 2016.[xl] Regarding the mysterious title, Obel explained: "The title comes from the High german concept of the gläserner bürger, the human or glass denizen. Information technology's really a legal term virtually the level of privacy the private has in a state, and in health information technology'south become a term about how much we know about a person'south body or biology or history – if they're completely made of glass nosotros know everything."

In addition to violins, cellos, harpsichords, a spinet, and a celesta, Obel used a Trautonium, a rare electronic musical musical instrument from the 1930s.[41]

In September 2016, Obel released a new single, "Golden Green". In Dansende Beren, Niels Bruwier wrote: "The sound of glass is never far abroad. The song is about the way we always find other amend lives than ours(…)she brings out her dreamy vocalization, it's really simply the perfect archetype popular vocal without embellishment. Enchanting, elysisch and paradise-like."[42]

In October 2016, a new song from Denizen of Glass was released: "Stretch Your Eyes". This vocal is a new version of an older ane ("Spinet Song") which was played during her tour in 2014.

In October 2016, Denizen of Glass came out. The French newspaper La Croix wrote: "With several great songs, the surrealist Stretch your eyes or the luminous Golden Green, Agnes Obel has created a sumptuous, odd and modernistic album. Denizen of Glass confirms, with greatness, Agnes Obel as an important pop artist."[43]

Denizen of Drinking glass received an average score of 82 on Metacritic, meaning universal acclaim, based on 11 reviews.[44]

Denizen of Glass received the IMPALA (The Independent Music Companies Association) Album of the Yr Award 2016, which rewards on a yearly basis the best album released on an independent European label.[45]

2018–present: Late Night Tales and Myopia [edit]

In February 2018, Obel was signed to Deutsche Grammophon. The contract involved Deutsche Grammophon joining forces with Blue Note for North American releases. Mr. Trautmann, president of Deutsche Grammophon, said: "We are fascinated past Agnes's compositional autonomy and the precision with which she creates and produces her vocal and instrumental soundscapes. With every song and instrumental piece, she opens upwardly minor universes, thus reaching a broad audition with sophisticated works. With Agnes we share conviction in the long-term success of creative excellence and brownie, equally well every bit the intention to inspire many more fans around the world".[46]

In May 2018, Obel contributed to Late Night Tales with a series of tracks selected by the artist herself, released as Late Nighttime Tales: Agnes Obel. For this compilation, Obel presented various titles by very different artists. Music by Michelle Gurevich, Nina Simone, Henry Mancini, and Alfred Schnittke is included on this album.

Obel said: "I was surprised at how much time I ended upward spending on this. I collected all the songs together with my partner Alex and we just spent time listening to records, trying to meet what would fit together. Some of the music I've included here is on mixtapes we fabricated when nosotros were simply friends every bit teenagers."[47]

Obel combined new works with the original song "Bee Trip the light fantastic", a haunting reading of the Danish song "Glemmer Du", and a new version (the third ane) of "Stretch Your Optics" called "Ambient Acapella". The start single, Inger Christensen'south "Poem About Death", is set to original music by Obel.

On the topic of the haunting cover of Arvid Muller'southward "Glemmer du", Obel explained: "In Denmark, the vocal is best known in the version from 1932, sung by the histrion and singer Liva Weel. It'southward i of my favourite melodies. The song is about the impermanence of time and honey, with memories being the only thing you get at the stop. (...)I recorded information technology using analog tape and then running the tapes again, so it sounded old and re-recorded, playing with this feeling of remembrance and of lost time."[48]

"The entire album inhabits that desolate place of twilight solitude, and forces its listener into a manner of introspection. It'south a tape to experience alone. (...) In that location's a comfort to being pulled into Myopia's contemplative, isolating territory."

Elisa Bray, The Independent [49]

"Myopia was recorded during sleepless late nights in her home studio in Berlin, which is aural in the record's hushful, contemplative and weightless melancholy. Obel'due south contemplative, rain-flecked gauziness has grown more pronounced here. Songs like "Isle of Doom" and "Broken Sleep" prick the hairs on the back of your neck with their unnerving dissections of the delicate human eye"

Michael Sumsion, PopMatters [fifty]

On 29 October 2019, Obel announced the title of her upcoming anthology, Myopia, on social media, and released the new single "Island of Doom". The album was released on 21 February 2020. Journalist Tim Peacock wrote: "Obel has been under cocky-imposed creative isolation with the removal of all exterior influences and distraction in the writing, recording and mixing procedure for 'Myopia'."

About "Island of Doom", the artist said: "The vocal is fabricated up of pitched-downward piano and cello pizzicato and vocals, all choirs are pitched down and upward… In my experience when someone close to you dies it is simply impossible to comprehend that you can't e'er talk to them or achieve them somehow ever again."[51]

"Isle of Doom" features Obel on piano, vocals, and keys, and Kristina Koropecki on cello, creating a sober tone, with sweet instrumentals, and a strong vocal performance from Obel. The visual bear witness opens upwards with a shot of Obel and is completely dominated with blue colors and hues, showing a unique landscape that appears out of this world.[52]

The new music video was directed by Alex Bruel Flagstad.

Concerning the meaning of Myopia, Obel explained: "For me Myopia is an album most trust and incertitude. Tin y'all trust yourself or not? Tin can you trust your own judgments? Can you trust that you will practice the right affair? Can you trust your instincts and what you are feeling? Or are your feelings skewed?"[53]

On vii Jan 2020, Obel released the single "Broken Slumber." Journalist Drew Feinerman said: "The video (created past Obel's longterm collaborator and partner Alex Brüel Flagstad) pairs perfectly with the style of the limerick; Obel sings with such beauty and ease, as the vocals complement the effortless, flowing pace of the visuals."[54]

Virtually Myopia, journalist Tina Benitez-Eves stated: "Myopia is an abstruse anatomization of the human psyche, transcending through ambient instrumentals, and an intoxicating blend of vocals, hovering on Jarboe-bred vox manipulation on atmospheric "Broken Sleep" and "Isle of Doom."[55]

Ashley Bardhan, in Pitchfork, said also: "These songs are obscured like frosted glass, as meticulously pretty and faintly unnerving as a porcelain doll. Though the album ends almost as quietly equally it began, Obel's whispery ambient fog lingers far longer."[56]

In June 2020, and for the first time, Obel shows in a video her Berlin studio and improvises some music with her band. The artist writes mostly at night and is always lone in her individual studio in Berlin. Normally, Obel doesn't permit anyone visit her at that place.[57]

Artistry [edit]

Obel at Les Nuits Secrètes (2014)

Musical style [edit]

Obel is described by The Irish gaelic Times journalist Lauren Irish potato as "the builder of eerie, otherworldy music that straddles neo-classical, jazz and bedroom pop".[58] In another analysis, Clash mag'due south Lauren McDermott deems Obel'south music "poised and haunting chamber pop" with "wraithlike harmonies, sonic textures and bewitching melancholy" rendered with "gothic violins", "cello pizzicatos", and electronic instruments, lending a sense of intimacy reflective of the aura in Berlin.[59]

Influences [edit]

Obel is influenced past artists such as Roy Orbison and also by the French composers Claude Debussy, Maurice Ravel, and Erik Satie.[5] She also likes Edgar Allan Poe and photographers Sibylle Bergemann, Robert Mapplethorpe, Tina Modotti, and Alfred Hitchcock.[60] Apropos Hitchcock, she said, "I adore his enigmatic style, his sophisticated esthetic merely always with an farthermost simplicity."[5] The cover of her start anthology, photographed past Berlin photographer Mali Lazell,[61] is an 'homage' to The Birds.

Obel too likes the experimental filmmaker Maya Deren. Sometimes, Obel tests some of her demos on Deren's movies.[62] Obel is also a huge fan of Nina Simone: "I take a fantastic live album by Nina Simone on which she sings "Who Knows Where the Time Goes". Her vocals seem to come out of nowhere. Magic."[63] In improver to classical music, Obel listens to artists like Mort Garson (The Zodiac – Cosmic Sounds), The Smiths (How Soon Is Now?), and Françoise Hardy (Où va la gamble).[64]

In Feb 2017, and later her covers of John Cale and Jeff Buckley songs, Obel performed "Hallelujah" in a tribute to the belatedly Leonard Cohen at the 'Victoire de la Musique 2017'.[65]

Personal life [edit]

Obel has lived in Berlin since 2006[66] with her partner lensman and animation artist Alex Brüel Flagstad,[6] [67] who filmed and directed the music videos for "Riverside" from Obel's debut album Philharmonics (2010), and "Dorian", "The Curse", and "Aventine" from Aventine (2013).[68]

Usage in media [edit]

Obel's vocal "Riverside" was featured on the Spike Television set serial The Mist in flavour i, episode two, "Withdrawal". "Riverside" has likewise been featured on Gray's Anatomy, Revenge, Ringer, the British Goggle box testify Lovesick, the Australian one-act-drama Offspring, and the Danish series, The Rain, in season 1, episode two. In addition, "Riverside" was used equally the theme tune of the mini-series Next of Kin.

Her songs "Familiar", "It's Happening Again", and "Cleaved Slumber" were featured on episodes of the German TV series Nighttime. "Familiar" was as well used in the video game Night Souls Three: The Fire Fades Edition trailer and is the theme song to the Canadian TV series Fundamental. "Dorian" was used in the Amazon Prime series Hanna in flavor 2, episode 8. "September Song" featured throughout the first flavor of Large Footling Lies. "Pass Them Past" was featured in the HBO series The Leftovers. "Run Cried The Itch" was used in the premiere episode of Euphoria.

"Fuel to Fire" featured during the honey scene in the Amazon Prime Idiot box series Carnival Row, season 1, episode 3. "Fuel to Fire" was featured on the fantasy supernatural serial The Originals in season 1, episode eighteen "The Big Uneasy". "Fuel to Burn down" was used equally the theme tune of the 2022 BBC 1 series Acuity. "Fuel to Burn down" was featured in the Netflix series Elite in season 4, episode 8.

"The Curse" was featured in a scene of the hitting Fox drama series,9-1-one, in flavor five, episode 4. It was too featured in the teaser trailer PS4 of the game « The long dark » on YouTube

Discography [edit]

Studio albums [edit]

Compilation albums [edit]

Extended plays [edit]

Singles [edit]

Other charted songs [edit]

Awards and nominations [edit]

Year Organisation Work Award Issue Ref.
2011 Danish Music Awards Årets bedste album (All-time Album Of The Year) Philharmonics Won [93]
Årets bedste popudgivelse (Best Popular Release Of The Year) Won
Årets bedste debutkunstner (Best Debut Creative person Of The Year) Herself Won
Årets bedste kvindelige kunstner (Best Female Artist Of The Yr) Won
Årets bedste sangskriver (All-time Songwriter Of The Twelvemonth) Won
2017 Contained Music Companies Association Anthology of the Year Denizen of Glass Won [4]

References [edit]

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External links [edit]

  • Official website
  • Agnes Obel at AllMusic
  • Agnes Obel discography at Discogs Edit this at Wikidata

adamswituessarks.blogspot.com

Source: https://en.wikipedia.org/wiki/Agnes_Obel

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